![]() photo - Michael G. Stewart |
Joshua Palmer |
||||||
|
|||||||
|
|||||||
The most difficult quality to achieve in music these days is originality. Human endeavor has simply produced so many sounds, styles and approaches to music that is all but impossible to not sound influenced by something that has come before. However, Joshua Palmer manages to be unique. Joshua plays mandolin as if he picked it up and not only learned to play, but became proficient, without ever having heard one played before. As presented on his first album, Metacognition, Palmer has managed to develop a style that doesn't sound like the next branch of one of the great "mandolin trees," (Monroe, Bush, Thile, et al.) and yet remains thoroughly musical and satisfying throughout. With strong, clear notation and an keen sense of time, Palmer takes the same tools available to the rest of us mandolin players and builds with them something new. Those divergent influences manifest themselves in the opening number, "Train of Tears" an ode to imminent heartbreak that takes some unexpected turns, with dobroist Andy Hall adding some excellent flourishes and fills. But the true opening statement of this collection is the second and title track, "Metacognition," which best encapsulates the style and approach of a new talent, accompanied by a cast of master musicians possessing the sensitivity and expressiveness to take on such material (Kenny Smith, Scott Vestal, Mark Schatz, Nate Leath and Andy Hall). Mark Schatz’s clawhammer banjo brings to life Palmer's ode to his hometown, "Owl's Hollow," While his bowed bass sets the tone for "The Dusk" and Leath's fiddle swells pull the lonesome out of "Hour Glass Waltz." However, Palmer keeps the focus centered on his unique talent and style, exhibiting his love for twin mandolins, classical music and Edgar Allen Poe (one would assume) with a duet of twin mandolin masterpieces, "Poe" and "The Raven and the Crow" which punctate a collection of tunes by a new and unique talent among mandolin players, Joshua Palmer. Joseph L. Scott Thanks: My divine creator who designed and blessed me to play music, His son, My King, Jesus, my family, Momma, Daddy, Caleb and Amanda Ann; Owl's Hollow Farm, Phill Davis, The Clark Family, Ed and Fred Foster, Kelli Johnson, Danny Moon, Jon Player, Jonny Goss, David Johnson, the Ford family, Herb Trotman, Sam "Tater" Crabtree, Kenny and Lori, Czarnecki, JT Harrell and The Gadsden State Show Choir, Canaan's Crossing I love you guys, Nickel Creek, Jamie Daley, The Beane's, Abigail Sinders, Josiah Kidwell, McCoy Borg, Monroeville, and many many more! Special Thanks :Tom, you're the best and I'm truly grateful! The Patuxent Music family, Taylor Baker and Family, Nate Leath, Kenny and Amanda Smith, Mark Schatts, Scott Vestal, Andy Hall, Dede Wiland, Michael G.Stewart, Audey Ratliff and the Ratliff mandolin Co, Steve Brown, Wayne Benson, Mark "Marco" Scott, Billy Wolf, and George McSpadden, The ABMA, Kirby Parker, Them Dirty Roses, The Harris Family, Kevin Atkins, The Long Family, Ken Watters, Randy Wood, The Dunlap Family Joshua Palmer
|
|||||||