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The
Scott Family Band comprises Joseph,
Barbara and Donnie Scott (son, step-mother and father) plus Smiling
Fred Mock. All North Carolinians to the core. In 1994, Barbara met Donnie
at the Fiddlers Grove Annual Fiddlers Convention in Union Grove. He promptly
offered her a cold potato, and later, a proposal of marriage. They were
wed on the porch of a log cabin at Fiddlers Grove during the 1996 Fiddlers
Convention, with friends offering music or cheering from the sidelines.
This duo had it all, except a musical common
ground. Donnie was immersed in what he likes to call mossy bluegrass,
the kind of music he grew up hearing on the radio around Taylorsville
and as a long-distance trucker crossing and re-crossing the lower 48 (Alaska
is the only state he has not spent any time in). He was also influenced
by the singing in the Pentecostal Holiness church he was raised in. Donnie
started his music life as a guitarist but came to believe that his fingers
were too short and thick to play the way that great guitarists should
(debatable), so he graduated to the resophonic guitar, winning many prizes
and earning the nickname Donnie Dobro. Barbara, on the other
hand, was a Presbyterian, which offered little musical color despite her
determination to sing alto too loudly in the choir. At 14 she heard a
Library of Congress recording of Lord Bateman and quickly
became entranced with English/American ballads and especially, unaccompanied
singing. Happily, the musically mismatched couple discovered that they
could collaborate on song-writing, Barbara hearing stories in Donnies
extemporaneously created tunes.
Barbara soon
met Joseph, whose major musical influence was Donnie. His father took
him to fiddlers conventions and performances by the greats of bluegrass
so that by age 4, Joseph could accurately sing harmonies (a tape exists
to prove this). Joseph, being of a different generation, naturally had
interests that ranged beyond bluegrass, but the high lonesome sound was
his first loyalty and still is. When the three first started hanging around
together, Joseph didnt play an instrument. Donnie lent him a fiddle,
then a guitar; both were returned. But when Donnie handed over an old
mandolin, things changed almost overnight. Joseph had found his second
instrument, the first being his incredibly flexible singing voice.
Donnie recorded
Generations (Patuxent, 2003), as a showcase for his dobro virtuosity,
some of Barbaras song-writing skills, and Joseph on mandolin and
harmonies. Not long afterwards, the Scotts met Fred.
Fred is an
eclectic intellectual musician who plays stand-up bass with heart and
has affection for the same mossy sounds that attract Donnie and Joseph
to bluegrass. As our resident observer, Fred notes that, The sub-countermelodic
lope featured on The Great Divide emerged from seven years of fiddlers
conventions plus gatherings hosted by the Scott Family. Fred was
first encountered at a particularly trying Galax Old Fiddlers Convention
year, when all were forced to camp in mud and sewage, Josephs car
broke down, Barbaras was first towed illegally and then rammed into
by a drunken judge, Fred lost his car keys in the muck, and the signature
couch which always accompanied the family was left in the swamp to molder,
offering mute testimony to the general sense of disgruntlement the event
had engendered.
Barbara and
Fred re-met, serendipitously working in the same building, both involved
in social service jobs. The Scott Family Bands first gig was the
wedding of Freds sister. Since then Fred has been the booking agent
for the crew, filling an otherwise Grand-Canyon-sized vacuum.
Over Thanksgiving
in 2005, Joseph suddenly announced that he and Barbara would make a CD
of singing duets, drawing from their common repertoire of songs both sad
and ancient, and that Donnie should be docile and play guitar. It was
assumed Fred would participate if he wanted to. He did, and The Great
Divide was born. Donnie and Barbara had unknowingly written the eponymous
opening song a few years before, and somewhere during the production Barbara
composed lyrics to a second song, Crossing the Great Divide,
to end the project. Joseph provided the tune with its modal, open harmony.
Everything in between is pure tradition.
It hasnt
been long since our dear friend Will Keys passed away, likewise Josephs
loving grandmother Clyde. To them the project is dedicated, with respect
for the kind of people they were, people who would have appreciated the
CD for the integrity of the material, the memories it evokes, and the
simple true sound it delivers.
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